A number of things have started happening around here. We are getting ready to break some sad news. Ugh, so not looking forward to that, but sometimes this is the way things go. I’ll be talking more about this in my next post. I’ve been sewing like a crazy person and just making, making, making. Feels good. So while I have bad news to break, I’ve also been productive and feeling positive.
This is another McCall’s 6649 pattern hack. Don’t believe me? Let’s start from the neck down and I’ll give you the play by play here.
- got rid of the collar and changed the neckline
- made a forward shoulder yoke
- got rid of the bust dart in the front and didn’t sew in the waist dart
- turned the back darts into princess seams
- retained the hemline in the back and straightened the hemline in the front
- the sleeve was shortened and cut on the bias and then I added tabs for visual interest
If you’re wondering what you can do with a basic pattern – like McCall’s 6649 – well, I’ll be here showing you what I do. If you’re interested, I took this class on Craftsy – One Pattern, Many Looks with Sarah Holden. Highly, highly recommend. It’s about pattern drafting, and getting the most from a TNT (tried and true sewing pattern). It’s a class that I would definitely recommend for anyone. It’s just really good and it helps you think outside the box instead of thinking that a shiny new sewing pattern is the answer. Not saying that it wouldn’t be the answer, I’m just saying that before you go fit-fighting with yet another sewing pattern, you might be able to create something similar by using a pattern that already fits you! Soapbox officially ended.
So, some more things you should know. I have a ton of lace leftover from my brick and mortar shop and I thought to myself, just cuz it’s ivory and white does not mean that you can’t use it for something that is not a wedding. And I made this top especially to go with jeans. No joke. The hemline length and style were meant to be worn with my jeans. I didn’t want it too over the top, but I’m into bling if I can get away with it and this is one of those times where I’m pretty sure I did. What do you think?
That said, while I’m loving the style and beauty of this blouse, I don’t know that I feel this color does me any favors. Looks very much like my skin tone – but I’m still going to wear it! With pride!
If you’re curious, this is the art deco lace from the shop. I paired it with a silk charmeuse that I had, and then also made the sleeve from the double georgette that is in the shop. Fancy, huh? To be honest, this is one of those types of blouses that I tell everyone else to make all the time and then never do it myself. I’ve seen this sort of trend a lot – having the blouse front be a different fabric (or lace overlay) from the back – and since I have a bit of lace myself, I thought it would be great to try.
I made my jeans too. They are a rub-off from the jeans you’ve seen me in in a few of my lasts posts. I pilfered the back pocket from Closet Case Files awesome Ginger jeans and then I followed several of Heather’s tutorials and insights into jeans via her Ginger sewalong. She did such an amazing job with that which is no surprise. I have plans to try the Gingers in the not too distant future. They look pretty awesome on everyone I’ve seen make them so far.
Well, that’s it for today. Have you ever worked with lace?
What are we on here? Numero 7? Yup, you guessed it. This is another Hollyburn skirt. (And for those of you just joining me, the Hollyburn is a most beloved skirt sewing pattern put out by Sewaholic).
I’ll not sport too much with your intelligence about this make. It’s wool crepe – one of our lovely springy colors, which have been marked down in the sale section and of which there is only a bit more left! Who knew the bright aqua would be so exciting? Yowza. This one is shorter and as per, fully lined.
I had to do a polka dot top again. Who knew that my rapidly growing button-up collection looked so cute tied at the waist with this skirt? Loving this look, which I’ll have you know, I’ve never sported before.
Now for some meat and potatoes. I had plans to make this skirt in this wool crepe anyway, but after a fairly harrowing button-up shirt for Mr. AFS, this got pushed directly to the top. It’s one of my TNT’s (tried and true pattern) and it’s a definite sew-jo inducer. I cut this out one day and sewed it up the next – well, all except the hem. I let that hang for a few days. From there I jumped right back on the sew-jo wagon and got to work on another button-up for myself and then cut out a tweed dress, which has been reduced to a pencil skirt, but more on that another time.
I decided a few things after this make. First, all projects must be finished – I am no longer going to do UFOs. Second, when a pretty hard sewjo killing project is over, it’s time to whip out a sewjo inducing TNT. At first I thought, well, that’s not going to be very fun, I don’t have that many TNTs. When I started looking around, surprisingly, I have MANY TNTs. I have 3 skirt patterns, a button-up shirt, a pair of slacks, jeans, a jacket, a sheath dress and a t-shirt. That’s a wardrobe right there, if I’m not mistaken. Third, after every sewing project is completed, my personal sewing room must be cleaned up and made ready for another project. I don’t know about you, but when I sew in a really, really messy room, I tend to get nothing done because I keep looking forlornly at the mess and wondering what to do!
Last, but not least on my efforts to keep my sew-jo alive, I’ve decided to start creating lists of projects to complete and get ready for. I love the scheming part of sewing, but more often than not, the scheming is where it ends because I forget. So I’ve decided to employ a list of inspirations and also a list of my next sewing project plans. This helps me plan better and from there, I create more outfits instead of white elephants.
What do you do to keep your sew-jo around? Tips and tricks?
This is one of my first pattern hacks for my beloved McCall’s 6649 (sadly out of print now, boo hoo, but you could achieve the same look with the Sewaholic Granville!). Nothing really major here. I extended the back yoke into a front yoke and then took the bust dart and turned them into shoulder gathers. If you’re interested, I’m posting these pattern hacks and several other mini tutorials on my Instagram, Facebook and Pinterest. I love tips and so I thought you might like some of my tips here and there for various things that I’m working on at the moment.
Anyway, this shirt. For the next round, I’m thinking that I would increase the shoulder gathers a bit. There’s just not enough gathering for my taste, but outside of that, I love this shirt. It’s made from that new Cotton & Steel Bespoke double gauze. Sheesh, these guys are doing some really really really fun and exciting things.
This fabric is fairly interesting. If you love linen for its soft wrinkles then you’ll love cotton double gauze for the very same reason. I happen to adore this feature in linen and so double gauze is a natural for me. When Cotton & Steel announced that they were going to do double gauze (and then later announced that they were going to do rayon challis!!!!) I was all sorts of excited. Quickly bought up a stitch and decided that this couldn’t sit in the stash for an age. Feels good to be using fabric – and wearing it! Ha ha!
Long ago, I brought up this fun topic. What do you think of sewing clothing from quilting cotton? While this double gauze is technically not a typical quilting cotton, it is manufactured by a quilting cotton company. I have to admit that I feel that if you confine yourself to only using quilting cottons for garments you are seriously missing out on a whole world of fabric that’s available to you – even for quilting! Like seriously. Wools, silks, rayons, linens, different types of cotton – besides quilting – and then there’s a whole world of knits, not to mention all the different weaves and such from all of the different fabrics.
I’m really, really glad to see many of the quilting cotton manufacturers venturing beyond the plain weave quilting cotton, getting into voiles, lawns and even rayon challis. Very exciting. I’m hoping we see more exciting things come from them in the future. Wouldn’t you agree?
Well, if you’re already sick of seeing my McCall’s 6649, well, that’s just too bad. I’ve already made 2 more that I haven’t blogged and then I’m planning on more and more and more! Ha ha! I’ll try to keep it interesting by showing you all my future pattern hacks. I’ve got SOOOOOOOOO many for this pattern. Now, off to cut more button-ups. Hurrah for the button-up TNT (tried and true pattern).
I don’t know about you, but I love tweed. Goodness gracious. I thought it would be a great week to highlight this fun fabric!
Whenever I think of tweed, I think of the British Isles. Harris Tweed, Linton Tweed. Gorgeous, gorgeous stuff. So many of them are so unique too. Yum! There’s lots of tweed to choose from when you really start looking.
Tweed is a textured fabric. Additionally it’s usually woven with at least two different color yarns which can give it a speckled look. This is great for hiding stitching irregularities which makes it a favorite for those beginning their journey into tailoring (as in making a jacket). From far away it looks like a softer version of the dominant color. This (above) is the kind of fabric that I usually associate with tweed, but don’t be fooled. It comes in a combination of textures, colors and weaves. Here’s another tweed that I have, direct from Linton Tweeds. Not your typical tweed, eh?
Tweeds that carry a name, like Harris tweed originate a from a specific district from whence they are made. For example, Harris Tweed comes from Scotland. A few common tweed names are Harris, Linton, Donegal, Shetland and Bannockburn. If the tweed isn’t labelled with a district name it’s just a regular tweed and could have been manufactured/made anywhere (doesn’t mean it’s bad though!).
Most tweeds are usually firmly woven and easy to sew with. Wool tweed takes heat and moisture wonderfully and shapes into just about anything – great for making jackets! Some tweeds are woven with a combination of fibers like wool and silk or wool and cotton. They can even get really exciting and be woven with a metallic thread or cellophane (for a little sparkle!).
These fabrics are great for jackets or coats, as I’ve already said above. They also make great pencil skirts and trousers because the hand has a nice structure to it.
Now, bragging rights time! Do you have any tweed? What about Harris Tweed or possibly Linton?
For more about Wools, visit the Working with Wool Section!
Tutorial Thursday today! Yessss! Today, I thought I would share a quick tip for creating a contoured waistband. I’ve done this many times on many patterns. I thought I would show how to do this on the Hollyburn skirt waistband piece as it’s a perfect candidate for this type of thing. Just so everyone is up to date, Hollyburn is a sewing pattern put out by Sewaholic. You can view my latest versions here. Before we get to the tutorial, I thought I would share why you might want to do something like this. I find that on my particular figure and with a waistband piece that is anything more than 1 inch wide, I have to do this. Maybe I have a bit too fluffy of a tummy – Dr. Pepper is my vice after all. And chocolate and all that. I find that a little contouring at the waist helps it to sit better on my figure and quite frankly, it’s a little nip and tuck that looks good for me. Now, take it away Contoured Waistband tutorial!
On the Hollyburn waistband piece, you’ll find that it’s a rectangular piece that is folded in half to create a waistband on the skirt section. To contour this waistband we’ll have to change this up a fair bit. We’re going to create two separate waistband pieces – a waistband and a waistband facing and both pieces will be cut on the fold at center front. Follow me? First, find the fold line on the waistband, mark it and then add on 5/8″ seam allowance to one side. I’ve marked my fold line in pink and the seam allowance in green. Cut away the excess.
The Hollyburn waistband is one entire piece so you’ll need to find the center front of it and cut that away too. That center front will now be cut on the fold, no need to add seam allowance.
Mark the seam line (in pink again) on the other side of the pattern and cut into the pattern at around the side seam area, to but not through the seamline. Cut on the other side of the seamline, to but not through the seamline which will create a paper hinge. Oh, paper hinges. The story of my life.
From there you can nip in the waist however much you need by overlapping and taping the longer cut section together. The pictures do a much better job of explaining this, I think. Right about now, you’re probably wondering how you’ll know how much to nip in. When I do this adjustment, I measure how wide the waistband section is (this is the vertical measurement of the waistband). Then I take two pieces of elastic and tie them around my waist. The first I tie at my waist – or where I want the top of the skirt to hit – and then I tie the other piece around the section of my waist that is down the vertical width of the waistband. In the case of the Hollyburn, the waistband is 2 inches wide. So I would tie that second elastic 2 inches below the first. Make sense? Now take the measurements around both areas and compare. I’m usually about 1 inch off or so. You’ll divide that number by 2 since you’re working with half of the waistband piece (because we just chopped off at the center front and now we’re cutting the waistband on the fold). So I need to overlap 1/2 inch. WHEWWWW!
Once you’ve figured all that out, then it’s time to smooth out those angles. Not only are those lines hard to sew, but it wouldn’t look all that great if we sewed this piece up as is at the moment. To smooth out the lines, you’ll need to use a curved ruler. Shimmy up your curved ruler along the angles and find a curve that connects and fills in (or takes away) in a nice looking curve. You’ll be adding to the valley and subtracting from the peak. I’ve added to the valley in red and then I subtracted approximately the same amount from the peak and cut that off.
To make this whole thing a bit easier to see, I opted to retrace the waistband for you. See how you have a nice smooth curved waistband now? You’ll cut the center front on the fold, cut two pieces and voila! Contoured waistband!
If you have a major contouring that is needed in the waistband (like more than 1 inch in the round), I would say that it would be best to do the above in two places instead of one. So think of the waistband in thirds and nip and tuck at 1/3 and then 2/3 mark. Make sense? Sometimes when the waistband gets wider – like 5 inches, which would be more of a yoke – then it’s better to do this in more places than just at the side seam. Makes for a softer curve.
And that’s it for today’s tutorial. Enjoy friends!